Persistent claims that the Syrian regime is “non-sectarian” result from a failure to distinguish between sectarianism as an explicit ideology, and sectarianism as an often unspoken technique of power. Whereas the Assad family has generally purported to act in the name of “national unity”, and accordingly minimised discursive expressions of sectarianism, its actual practices throughout the last five decades have consisted in the systematic manipulation of sectarian divides for the purpose of regime survival. More about the event.
“Refugees do not want charity, they want solidarity – and solidarity is recognizing that it’s one struggle.” Iyad el-Baghdadi’s lightning talk in The Question of Syria 2016. More about the event.
Sana Yazigi – Oslo, 26 September 2015
“There is no political power without control of the archive, if not of memory. Effective democratization can always be measured by this essential criterion: the participation in and the access to the archive, its constitution, and its interpretation” Jacques Derrida
Since March 2011, Syria has witnessed deep cultural mutation; forms of expressions have evolved trying to respond to the eventful Syrian uprising. Artistic and cultural production have been a vital tool of political resistance, and so is archiving this production.
What is the Creative Memory of the Syrian Revolution? What are the characteristics of ‘expression’ in times of tyranny and freedom? How do socio-political and cultural factors affect ‘expression’? How do we see the change on people’s ‘expression’ and behaviour since 2011? What would be the role of memory in the future? What is the link between justice and memory?
For more details about the event, please see this page.
Mohammad Al Attar and Zaher Omareen. Moderated by Rana Issa
Through their different media and production techniques, Zaher Omareen and Mohammad Al Attar will reflect on how democracy is performed in Syria today, and together with them we expect to question such stable constellations as artist, spectator, and stage. This line of questioning will bring us closer to Syrian artistic expression and will allow us to reflect on basic, and enduring concepts about the relationship of art to politics. More about the event.
This panel provides a general snapshot on life at the local level during the conflict in Syria. In between state-failure, war economy and a “conflict society”, triggered by the country’s dire humanitarian crisis, multiple actors have stepped in to fill in the void. These include Youth Networks, civil society organisations, Local Councils, Sharia-based institutions, Muslim Brotherhood affiliates, Turkish Kurdistan Workers’ Party structures, and the jihadist groups, Jabhat al-Nusra and Daesh (the Islamic State in Iraq and Syria – ISIS). More about the event.
Mohammad Al Attar, Rana Khalaf and Yassin al-Haj Saleh. Moderated by Ziad Majed.
How would we define the situation in Syria today? Are there still any revolutionary characteristics in the middle of the ongoing war and all regional and international interventions? Did the revolution manage to change something in the society? Can we talk about positive change when we are faced with the destruction we see in Syria today on all levels? What kind of support do Syrians living inside Syria, in refugee camps and in exile, want? More about the event.